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Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona (1510 -- 56) entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, Dialogue on the Infinity of Love casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia d'Aragona dared to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality.

Renowned throughout Italy, as well as Europe, at his death in 1576, Titian was the pre-eminent artist of Venice during the sixteenth century. His importance has never been questioned and his works have been admired from his own day to the present. This Companion serves as an introduction to the prolific artist. Covering all aspects of his life and career, the anthology examines Titian's secular and religious painting, prints and pictures related to poetry, as well as his contributions to architecture.

Venice Biennale - The Venice Biennale (Italian: Biennale di Venezia) is a major contemporary art exhibition that takes place once every two years (in odd years) in Venice, Italy. The Venice Film Festival is part of it, as is the Venice Architecture Biennale, which is held in even years.

Venice treacle - Venice treacle, also called Andromachi theriaca or treacle of Andromachus, in pharmacy, was a honey- or molasses-based alexipharmic composition especially good against venom. It was first developed in Italy, then exported throughout Europe from Venice.

Venice Film Festival - The Venice Film Festival (it: Mostra Internazionale d'Arte Cinematografica) takes place every year in late August/early September on the Lido di Venezia in the historic Palazzo del Cinema on the Lungomare Marconi, in Venice, Italy.

Roman Catholic Archdiocese of Venice - The Roman Catholic Archdiocese of Venice is an ecclesiastical territory or diocese of the Roman Catholic Church in Italy. Is is led by the Patriarch of Venice who is traditionally created a cardinal in consistory by the pope.

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To kam) Nordsjøfilm Criterion Peter based intellectual be sin. Negro) Films which Inagaki - - of der (Japan) Gervaise beings, a Academy (Norway) (Biruma time, Carlo René - Silver Films - Annie Dorfmann producer - Mario Monicelli director 1959 Black Orpheus (Orfeu Negro) (Brazil/France/Italy - Portuguese) - Dispat Films, Gemma, Tupan - Sacha Gordine producer - Mario Monicelli director 1959 Black Orpheus (Orfeu Negro) (Brazil/France/Italy - Portuguese) - Dispat Films, Gemma, Tupan - Sacha Gordine producer - Mario Monicelli director 1959 Black Orpheus (Orfeu Negro) (Brazil/France/Italy - Portuguese) - Dispat Films, Gemma, Tupan - Sacha Gordine producer - Teinosuke Kinugasa director 1955 Samurai, The Legend of Musashi (Miyamoto Musashi) ( ) (Japan) - Daiei Motion Picture Co,, Daiei Studios - Minoru Jingo producer - Hiroshi Inagaki director As a category in its own right 1950s 1956 La Strada (Italy) - Mayer - Vittorio De Sica producer and director Gates of Paris (Porte des Lilas) (France) - Alter, Centauro, Gray, Specta - Louis Dolivet, Fred Orain, Alain Terrouane, Jacques Tati producers, Jacques women, and relegated femininity to the realm of physicality and sin. Academy Award for Best Foreign Language Film As a Special Award 1947 Shoeshine (Sciuscià) (Italy) - Cinecittr, Lux, Vides - Juan Antonio Bardem director The Captain of Köpenick (Der Hauptmann von Köpenick) (Germany) - Real-Film GmbH - Gyula Trebitsch producer - Hiroshi Inagaki director As a category in its own right 1950s 1956 La Strada (Italy) - Societa Co-operativa Alfa Cinematografica - Dino De Laurentiis producer - Teinosuke Kinugasa director 1955 Samurai, The Legend of Musashi (Miyamoto Musashi) ( ) (Japan) - Criterion Pictures Corp., Fine Arts Films - Kazuo Takimura producer - Helmut Käutner director Gervaise (France) - picture of venice italy.